Ravenscroft 275 free download

Public Not listed Private. See less. See more. Democratique du Congo, kinshasa. Democratique du Congo, Raleigh. Democratique du Congo, Piertermaritzburg. Democratique du Congo. Value Packs. If the usual piano tones have worn out their welcome and it's time for something fresh, the Ravenscroft is here. This is truly a pianist's virtual piano. When recording a great piano in the studio, you want options. Versatility in microphone setups is needed to cover any playing style or mix without being limited to one basic tone.

Plus the microphone selection and placement in and around the piano affect the stereo image and what tonal aspects of the piano are being recorded. The four discrete phase-aligned mic setups of the Ravenscroft accurately capture its unique voice in exquisite detail and can be used individually or mixed in any way. World-class mics and preamps were used throughout. Tones from close and intimate, diffuse and distant, warm or brilliant, all can be acheived with one or more of these mics.

Load the samples you want and activate or deactivate mics without having to unload and reload the samples. This is the Ravenscroft virtual piano studio. The Main control panel features the Mic selection and mixing section center stage. Loading microphones is quick and easy while memory usage remains very reasonable. Adjust the mic's volume with the slider and shut the mic off with its power switch. If a mic is loaded but deactivated by switching it off, no polyphony is used and system resources are conserved.

Much time is also saved by not having to unload and reload mic samples letting you have quicker access to all the mics at once. The microphone selection and setups were chosen for their variety of use, the character of the piano we wanted to capture as well as how they compliment one another when mixing.

CLOSE: A mix of mics inside the piano placed over the strings and hammers that capture a punchy detailed tone with a big stereo image. More distant than Close mics, they're great for classical and player's perspective while also mixing well with other mics. SIDE: A mid-side vintage U87 setup right outside the rim that capture a balance of warmth and detail with a more focused image. Great for jazz and classical and blend well with other mics to add more room or detail.

Side mics are also fully mono-capable due to the nature of mid-side. ROOM: A mix of mics away from the piano that capture the complete instrument along with the room characteristics. Great for classical and for the unique perspective of the room sound and work great blended with any other mics. Pianists are well accustomed to the aspect known as sympathetic resonance that occurs in acoustic pianos and its importance to the sustain and how chords resolve.

It binds all notes together as one instrument. Sympathetic resonance is heard among harmonically related keys held and others played, while pedal down resonance occurs as all strings vibrate together when the damper pedal is pressed adding to the overall sustain. Both pedal down and harmonic key pedal up resonances are sample-based and not synthesized in any way.

We believe this important component of the piano's tone is best emulated only with real samples. The Ravenscroft's multi-dimensional resonances have been precisely sampled and scripted for both types of advanced resonance simulations responding naturally like the real grand, all fully adjustable.

Sympathetic resonance brings all the strings together as one instrument and adds immense depth and sustain. Our resonance simulations are entirely sample-based and have been carefully matched to the actual concert grand in response and volume.

This is done with complex scripting made possible in the UVI engine along with accurate sampling and voicing. The end result is stunning and recreates what you would hear from the real grand while also giving you full control of the resonance samples. The volume of Pedal Resonance samples can be independently controlled for more or less of the effect.

A chord played with the pedal down will cause other strings to resonate, but if the sustain pedal comes up and then back down quickly, the strings will resonate again but with lower volume. This enables the sample-based Pedal Resonance to precisely work the same as it would on the acoustic grand and offers realism not possible with separate pedal-down samples.

This is a crucial component to the pedal down sustained sound which differs from anything played with the pedal up. Not only is this an integral part of the grand piano's tone and sustain, it's also used musically to great effect such as holding a chord and playing harmonically related to cause sympathetic resonance in the chord that's held. You may not like the preset sounds in your digital keyboard, or you may want to broaden your sound palette with different piano samples or to experiment with other instruments.

This may seem confusing, but you can use your digital piano as a MIDI controller , allowing you to play notes in a piano fashion, while your computer will output them as other instruments, such as a guitar or a violin, via VSTs. Vocalists often ask me for a piano-backing track for a performance, but they need it in a different key.

You have the power to move around, change, and remove notes while experimenting with how they will be played. Is it a staccato passage? Should the pedal lift at the end of the phrase, etc.?

Recording MIDI in a DAW is less daunting since you have the ability to edit incorrect notes or change one note that was pressed a little too loudly. Please refer to our Connectivity Guide for connecting your keyboard into a computer. This space enables you to download samples that may require sizable storage space, and the RAM empowers you to work quickly and efficiently without lag time in your DAW.

The more samples you have, the less efficient and longer it will take to work with your DAW, so many industry composers use a slave PC to save on CPU usage. If you wish to use a few samples for different sounding pianos, you may work easily from a single computer or laptop and will not need a lot of RAM to do so at least 16GB is recommended , but 8GB RAM is still workable. With an audio interface , you will be able to connect other instruments and microphones to record them, so you are not limited to a piano as your controller within your DAW.

For example, you may prepare a template that loads as a quirky ensemble of organ, saxophone, and string sounds which you can play around with as an ensemble. For example, you can play a flute in a higher register for brighter sound , whereas its midrange will feature a mellow tone, and the low range features a darker tone suitable for suspense music. This method alone is not the best way to learn orchestration; it is more like watching a TV show in a second language with subtitles.

While using VSTs can teach you subconsciously about basic orchestration like instrument ranges , it is best to refer to other sources.

Since many new composers rely solely on technology , it should not be the only source to help them grow. If you are composing something in your DAW alone, your violin sample may not have a portamento feature slide , so you will never choose to write music with this technique. This can be very limiting, so I suggest writing in a notation program as well as a DAW to help you grow as a composer. This is a subject in itself, just like mastering the piano or learning to teach music.

Learning VSTs and making a setup from scratch can be complicated and daunting. Not at all — piano VSTs are just a small percentage of sampled sounds available. VST instruments categorize as orchestral samples, synthesizers and electronic soundscapes, and rock or jazz band scenarios, as well as instrumental effects and sound design.

This is why sample libraries can get expensive really fast when you need a full library of sampled orchestral sounds. It is also why the use of an SSD will make your workflow faster and more efficient. Since sampled sounds are tiny bits of audio that have been recorded, this may be more demanding on your CPU and storage , while modeled patches are lighter on data storage and more efficient for CPU.

Modeled sounds can produce more articulate phrases and are not limited to samples recorded by real musicians. Sampled sounds, however, are good for recorded acoustic environments. Some pianistic sound elements, like sympathetic string resonance and key-off resonance , are difficult to record, so some sample libraries may use modeling to generate these effects. Samples depend heavily on recording studio space, recording engineers, and equipment such as microphones and instruments.

This depends! You may be purchasing a single solo instrument or your library may include various instruments , different orchestral sections, etc. Always check what is included with your library to know how many instrument samples you will receive. The more instruments in a library, the more expensive it may be. Many libraries feature music track demos performed by musicians so you can hear what your samples have the potential to sound like. You should listen to these before you make a purchase.

There is no one answer to this question. Many of these brands to have been recorded meticulously into sample libraries. You may also wish to have a piano sample for a particular style , such as a solo performance, a piano be blended in with an orchestra, or a recording in a jazz or rock band.

Many VSTs are versatile and offer a solo patch as well as a piano sample that can be blended with other instruments. Yes, the size of the library is an indirect indication of how meticulously the instrument was recorded, in other words how many samples were recorded at different dynamics per each key.

The more samples is recorded per key the more expressive and dynamic the piano sound is going to be, though there are other important factors that can affect that.

With that said, the size of the library, or in other words, the disk space it takes up after the installation can be a bit misleading.

The thing is that the final size of the library will largely depend on which format and audio compression method is used for samples. Most high-quality piano VST libraries will use lossless audio compression , which preserves the exact copy of the original audio data, as opposed to lossy compression methods such as MP3, AAC, etc.

However, some libraries use the original uncompressed files PCM , which makes it considerable larger than libraries that use lossless audio compression and store their samples in formats like FLAC, ALAC, etc. The Ravenscroft and the Addictive Keys Studio Grands VSTs, on the contrary, require less than 6GB of disk space thanks for more efficiently organized storage using lossless compression formats.

Therefore, to output the sound generated by a VST plugin to your keyboard, your keyboard should have an Audio In jack. Some higher-end keyboards e. The same cable will be used to send MIDI data from your keyboard to the computer at the same time. But even then, this is not an optimal solution.

The built-in speakers of digital pianos are usually designed to work best with preset sounds and may not sound great when connected to external audio sources. Plus, the speakers on portable digital pianos and keyboards are hardly impressive, so it makes sense investing in a pair of good external speakers or headphones to get the most out of your VST plugin in terms of sound quality.

The Spectrasonics Keyscape library is one of the most versatile libraries available, featuring a collection of upright pianos, electric digital pianos, and grand pianos. Keyscape is an incredibly large library with over piano sounds and 36 instrument models and hybrid patches. The library can be hosted within Spectrasonics and integrated with the Omnisphere library.

Keyscape requires 77GB of storage space with at least a 2. The library is compatible with both Mac X Because of its large storage space, an external SSD is recommended but not essential to make this library run easier on your system. This delivers sound with a wider tonal spectrum. Renowned LA piano technician, Jim Wilson, made it his mission to create this unique piano sound.

Within the VST editor window, you have the freedom to edit the microphone placement of close mics great for solos and room mics great for ambience and atmospheric textures. Not every recording is perfect, but Keyscapes focuses on a clean recording with no noise but the sound of a piano key in each of the samples.

The Yamaha C7 allows you to experiment with mechanical noises and pedal noises for realism, and it features release overtones when a note is held like a true acoustic piano. The sounds include up to 32 layers of velocity , which is large for a sampled library and allows a great range for dynamics.

Without any editing on the user end, Keyscape sounds good by default. More advanced subtleties like half- or quarter-pedaling and modeled sympathetic resonance are not supported. The library shines more on upright and electric pianos , but still offers a terrific Yamaha C7 sound when a grand piano is required. Keyscape is purchased as their Collector Keyboards bundle, so you cannot purchase the Yamaha C7 alone. The library includes various presets that provide immediate inspiration. I am a user of this piano library and rarely build a custom patch.

I use a preset with tweaked moderations instead such as pedal noise and reverb. The library offers up to 20 velocity layers per key, including sample sets for pedal up, sustain pedal down, and soft pedaling.

Partial pedaling is made possible as well as re-pedaling. I recorded this without a physical sustain pedal and instead drew one in the editor window, while increasing the sound of pedal noise for realism in my performance. A completely MIDI performance now sounds as if it was recorded live!

The library is compatible with Mac OS As a film composer, I have added the Garritan CFX concert grand to my sample library because it was recorded in Abbey Road Studios, where many iconic movie scores are recorded. Naturally, the sound of the piano presets blend in well with an orchestral film environment, suiting my work perfectly.

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